Have you read Jeremiah Willstone and the Clockwork Time Machine and wondered why Jeremiah ended up a Ranger when she always wanted to be a Falconer? Or would you like to get started following Jeremiah’s tales on audio? Well, you’re in luck! Our friends at Sage and Savant have read one of the earliest Jeremiah stories, “The Fall of the Falcon”, for your auditory adventuring pleasure!
Q: In your story “The Fall of the Falcon” the main character is female, but she has a male name, Jeremiah Willstone. Why is that?
AF: It’s more than just gender bending: it’s an outward sign of their society’s aggressive approach to women’s liberation. I wanted to tell a steampunk story about a young Victorian female soldier, but the Victorians didn’t have women soldiers – we’ve only recently started to allow them in our military. So I imagined a world where that wasn’t just a little bit different, but comprehensively different – a world where women’s liberation came a century early, and with twice as many brains working on hard problems, they were more advanced in 1908 than we are today. But I needed a way to communicate that in the story, and decided that the women in Jeremiah’s family took male names to try to achieve gender equality. With her history written into her name, I now had the storytelling power to discuss that issue as much as I wanted to – or let it slide into the background until someone innocently asks the question, “So, Jeremiah is female, but has a male name. Why is that?”
One of the most important pieces of writing advice I’ve received is “put it all in.” If you’ve got a great idea, don’t save it for a great story: put it in the story you’re working on now. I can’t tell you how many times in the past I had a great idea that I felt I “wasn’t ready to tell,” but I can tell you that those stories almost never get told.
When I started writing a steampunk novel, I questioned what to put in it. I knew my protagonist was a young female soldier from the Victorian era, but what else should go in the story? Some things seemed obvious …
Jeremiah Willstone is a special novel for me, because the smallest of inspirations blossomed into a project that reflects my deepest values. I fell in love with steampunk at Dragon Con 2009, where I saw many amazing steampunk costumes, in particular a young woman with a steam-powered gatling gun. My training as a science fiction writer makes me pick at the loose threads of imagined worlds, so I started to wonder not just what technology could power that gun, but what social changes could have enabled a young woman to become a Victorian soldier.
I’ve been interested in women’s rights since I was a child…
To read the rest, take a look, or to find out more about Jeremiah, check out The Clockwork Time Machine wherever fine books are sold:
Alright, I’ll admit it: I didn’t start out liking steampunk. When The Difference Engine came out, I just didn’t get it. I mean, Charles Babbage’s Difference Engines actually working, much less changing Victorian society? I didn’t buy it. Looking back, I think I just didn’t like alternate history, as I found other, similar novels off-putting.
But as I grew, I watched the steampunk movement grow too, hand in hand with the burgeoning maker community. At the same time I started attending the Maker Faire and admiring all the amazing contraptions our modern independent inventors were coming up with, I started noticing more and more steampunk costumes expressing the same kind of gutsy do-it-yourself, throw-it-all-together flair.